Independence and its Enemies in New York
 
Resistance Dissent Reclaiming New York
1765 1766 1767 1768 1769 1770 1771 1772 1773 1774 1775 1776 1777 1778 1779 1780 1781 1782 1783 1784
A City Nearly Abandoned

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The Printer and the Revolution
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This Web site is based upon the exhibition “Independence and its Enemies in New York,” which ran at The New-York Historical Society from June 19- September 19, 2001. more info>>

Resistance & Dissent more info>>

In the spring of 1765, news of the passage of the Stamp Act reached a city that was already reeling from a depression that had accompanied the end of the French and Indian War two years earlier. But the ten years of dissent and protest that led up to the Revolution was also fueled by the available means of communication-in particular, the broadside.

A City Nearly Abandoned more info>>

On July 9, 1776 the Declaration of Independence reached a city nearly depopulated by civilians. Some 10,000 Continental Army soldiers had made themselves at home on the island and had set to work chopping up fences and orchards for batteries and barricades. The Royal Governor had taken refuge on a British ship...

Reclaiming New York more info>>

With the final withdrawal of British troops on November 25, 1783, New Yorkers settled into the postwar period of rebuilding, hosting the nation's capital, and getting back to business. Distinctions between Tory and patriot began to fade. Samuel Loudon returned to publish newspapers; James Rivington and Hugh Gaine continued to sell books but no longer put out theirs...

The Printer & The Revolution more info>>

New York's printers shifted between the conflicting demands of patriot mobs and British occupation, between their own political beliefs and their need to transact business. To make a proper living, a printer was simultaneously a newspaper printer and editor, book and almanac publisher, bookseller, and competitor for government commissions for printing laws and currency.

This Web site was made possible with public funds from the United States Department of Education, and from the New York Council for the Humanities. Programs are also funded from the New York City Department of Cultural Affairs.In addition, a generous seed grant was awarded from Citigroup.

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